States of Matter explores the transition from one state of being to another through a performative gesture of cutting. The work unfolds through a tensioned installation of linen thread stretched across space, activated through a live act in which the threads are cut one by one. In each iteration, the work exists across distinct phases: the installed form under tension, holding potential energy; the act of cutting, in which that energy is released; and the aftermath, where the structure collapses into a loose and altered state. As each thread is cut, it emits a sharp, resonant ping, making the release of tension audible as well as visible. Through this process, the work moves between states—held, activated and undone—tracing a transformation shaped by the body in time.

Presented in 2018 at Dominik Mersch Gallery as part of Fielden’s solo exhibition between stars, between stars between stones, this iteration of States of Matter retained the same formal structure as the earlier Art Omi version, while refining its spatial and material clarity. Performed live for an audience, the cutting action transformed a controlled, tensioned structure into a dispersed and altered state. The performance took place midway through the exhibition, allowing the installation to exist for equal durations in its tensioned and released states.