This diptych extends the logic of its counterpart Almost Nothing / Almost Everything I through a reduced formal structure. Each drawing consists of a single horizontal line of numerals, written by hand. Almost Nothing II begins with a zero and a decimal point, followed by a sequence of zeros interrupted by a single 1, and continues beyond, approaching zero without ever reaching it. In contrast, Almost Everything II begins with a 1 followed by a sequence of zeros, expanding toward an immeasurable magnitude.

Together, the two drawings establish a tension between two limits: one approaching nothing, the other approaching everything. Though materially and formally similar, their structures diverge at the decimal point, producing radically different scales from nearly identical means.